[{"data":1,"prerenderedAt":155},["ShallowReactive",2],{"site":3,"content:video":28},{"brand":4,"nav":7,"contacts":20,"footer":25},{"wordmark":5,"legalName":5,"tagline":6},"CodeArtisan","An independent studio for software and film editing, run by Rohit Verma in New Delhi.",[8,11,14,17],{"label":9,"to":10},"Software","/software",{"label":12,"to":13},"Video","/video",{"label":15,"to":16},"About","/about",{"label":18,"to":19},"Contact","/contact",{"email":21,"phone":22,"linkedin":23,"location":24},"rohitart87@gmail.com","+91 98182 26683","linkedin.com/in/rohitart","New Delhi, India",{"cvFile":26,"legalNote":27},"/rohit-verma-cv.pdf","All rights reserved.",{"slug":29,"seo":30,"hero":34,"sections":44,"work":132},"video",{"title":31,"description":32,"ogImage":33},"Video editing: short-form and long-form","Short-form editing for Reels, Shorts, and TikTok; long-form editing for YouTube, films, and ads. Cut personally by Rohit Verma with a filmmaker's eye for rhythm.","/og/default.png",{"id":35,"type":36,"eyebrow":37,"title":38,"sub":39,"poster":40,"url":41,"play":42,"note":43},"hero","reelHero","Video, the studio's second door","The cut is where the story happens.","Short-form that stops the scroll. Long-form that holds the room. Edited personally, with rhythm, pacing, and restraint over template transitions.","/work/chopta-deoria-tal.jpg","https://www.youtube.com/watch?v=iIMx9TWOROs","youtube","Chopta to Deoria Tal, cut for Muscle Biking.",[45,71,88,118,124],{"id":46,"type":47,"eyebrow":48,"title":49,"cuts":50},"cuts","twoCuts","Two disciplines","Short and long are different crafts",[51,61],{"kind":52,"mono":53,"title":54,"body":55,"deliverables":56},"short","00:15–00:60","Short-form","Reels, Shorts, TikTok. The first second earns the second one. Hooks, captions, sound design, and a cut rhythm tuned to the platform, not just a long video squeezed thin.",[57,58,59,60],"Platform-native aspect ratios","Captions and hook variants","Sound-led pacing","Batches for consistent posting",{"kind":62,"mono":63,"title":64,"body":65,"deliverables":66},"long","03:00–60:00+","Long-form","YouTube, films, ads, brand pieces. Structure first: what stays, what goes, where the air lives. Color, sound, and pacing serve the story; the edit disappears and the film remains.",[67,68,69,70],"Story structure and rough cut","Color grade and sound pass","Titles and lower thirds","Master plus platform exports",{"id":72,"type":72,"eyebrow":73,"title":74,"steps":75},"process","How a cut happens","Brief to delivery",[76,79,82,85],{"name":77,"body":78},"Brief","Footage, references, and the feeling you're after. The brief sets the rhythm before the timeline opens.",{"name":80,"body":81},"Rough cut","Structure and story first. You react to a real cut early, not a surprise at the end.",{"name":83,"body":84},"Color & sound","Grade, mix, and the details that make a cut feel finished instead of assembled.",{"name":86,"body":87},"Delivery","Masters and platform-ready exports, named properly, delivered where you work.",{"id":89,"type":89,"eyebrow":90,"title":91,"note":92,"tiers":93},"packages","Ways to work","Three ways in","Pricing is scoped per brief while the studio's video arm is young; these shapes tell you where to start.",[94,102,110],{"name":95,"tagline":96,"includes":97},"The Short Batch","For feeds that need to stay alive",[98,99,100,101],"4–8 short-form cuts per batch","Hook and caption variants","Platform-native exports","48–72h turnaround per cut",{"name":103,"tagline":104,"includes":105},"The Feature","One long-form piece, done properly",[106,107,108,109],"Story structure + rough cut","Two revision rounds","Color and sound pass","Master + platform exports",{"name":111,"tagline":112,"includes":113},"The Retainer","A standing edit desk for your channel",[114,115,116,117],"Monthly short + long mix","Priority turnaround","Consistent grade and voice","Planning input, not just cutting",{"id":119,"type":120,"eyebrow":121,"title":122,"emptyNote":123},"grid","cutsGrid","The reel shelf","Recent cuts","Honest empty shelf: the studio's first public cuts are being cleared for showing. No borrowed portfolios here; this space fills with real work only.",{"id":125,"type":126,"title":127,"sub":128,"cta":129},"close","closeCta","Got footage waiting for a cut?","Send the brief and a link to the raw material. You'll get a straight answer on turnaround and fit.",{"label":130,"to":131},"Start a video brief","/contact?intent=video",[133,144],{"slug":134,"kind":29,"name":135,"org":5,"role":136,"blurb":137,"stack":138,"url":140,"play":141,"order":142,"status":143},"slot-short","Short-form reel","Editor","Short-form cut published as an Instagram Reel.",[53,139],"vertical","https://www.instagram.com/reel/DaF22LXz3Hs/","instagram",1,"live",{"slug":145,"kind":29,"name":146,"org":147,"role":136,"blurb":148,"stack":149,"url":152,"poster":153,"play":42,"order":154,"status":143},"slot-damdama","Ride to Damdama Lake","Muscle Biking","Long-form ride cut: off-road trail and bike mishaps on the way to Damdama Lake, for Muscle Biking.",[150,151],"03:00+","16:9","https://www.youtube.com/watch?v=dMBZw_iDmuQ","/work/damdama-lake.jpg",2,1788353283486]